Béla Bartók: A Research and Information Guide (Routledge by Elliott Antokoletz

By Elliott Antokoletz

This examine consultant is an annotated bibliography of basic and secondary assets and  catalogue of Bartók’s compositions. because the e-book of the second one variation, a wealth of data has been proliferating within the box of Bartók study. The 3rd version of this study consultant offers an replace during this box and represents the multidisciplinary examine components within the growing to be Bartók literature.

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60. 61. 62. 63. 64. 65. 66. Vol. III: 67. 68. 69. 70. 71. 72. 73. 74. 75. 76. 77. 78. 79. 80. 81. 82. 83. B Hommage à R. Sch. Wandering Scherzo Melody with Interruptions 17 18 Béla Bartók: a research and information guide 84. 85. 86. 87. 88. 89. 90. 91–92. 93. 94. 95. 96. Vol. IV: 97. 98. 99. 100. 101. 102. 103. 104. 105. 106. 107. 108. 109. 110. 111. 112. 113. 114. 115. 116. 117. 118. 119. 120. 121. Merriment Broken Chords Two Major Pentachords Variations Duet for Pipes In Four Parts In Russian Style Two Chromatic Inventions In Four Parts Tale Song of the Fox, voice and piano Stumblings Appendix: Exercises Notturno Thumb Under Crossed Hands In the Style of a Folksong Diminished Fifth Harmonics Minor and Major Through the Keys Playsong Children’s Song Melody in the Mist Wrestling From the Island of Bali Clashing Sounds Intermezzo Variations on a Folk Tune Bulgarian Rhythm (I) Theme and Inversion Bulgarian Rhythm (II) Melody Bourrée Triplets in 9/8 Time Dance in 3/4 Time Fifth Chords Two-Part Study Appendix: Exercises Vol.

Comodo VI. Finale Date—August 1923, Radvány, North Hungary, composed to celebrate the fiftieth anniversary of the merging of Pest, Buda, and Obuda into the city of Budapest Perf—November 19, 1923, Budapest Philharmonic Society (Ernő Dohnányi conducting), Budapest Pub—Universal 1924; piano reduction, Universal 1925 Cat—Sz 77, BB 86 76. A fából faragott királyfi [The Wooden Prince, Suite] Op. 13 Date—three dances from the ballet, 1921–1924? Perf—November 23, 1931, Philharmonic Society (Ernő Dohnányi conducting), Budapest Pub—Universal Cat—Sz 60, BB 74 77.

410. 9 Finnish ethnologist (1867–1960). Later, Bartók independently developed his own methodological approach to the classification of musical folklore. 10 See Bartók, “Hungarian Peasant Music,” Musical Quarterly 19/3 (July 1933): 267–289, and Essays, p. 81. 11 See Bartók, Essays, p. 84. 12 See Bartók, “Hongrie,” La revue musicale 2 (December 1938): 436. 13 See Anthony Cross, “Debussy and Bartók,” Musical Times 108 (1967):126. 14 Musorgsky is a major forerunner of this tendency, and there is evidence that Debussy acquired certain features of folk music primarily from the Russian composer.

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